You actually don’t need an anamorphic mode to start shooting anamorphic. They shot much of the video using a GH5 II and S1H. Panasonic sposored the video and even without the sponsorship they are the leaders of offering support for anamorphic in their cameras.
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In their series is a very thorough piece on the various anamorphic modes and how they work. If you want to learn the ins and outs of shooting anamorphic, then the Anamorphic on a Budget channel is one of the best places to check out. Different aspect ratios, different codecs, and best practices all play a part – especially with feature-rich cameras like those from Panasonic. There’s knowing the optics, there’s actually understanding the workflow, and there’s having a camera that offers some dedicated options to ensure proper metadata and monitoring specs. This provides extended recorded times for long form productions or recording events.Shooting anamorphic is not as simple as just popping the camera in a designated “Anamorphic Mode” and hitting record. SSD media also provides more GB per $ than camera media cards. With Shogun CONNECT the only limitation to how much you can record is the size of the SSD. A core principle of ATOMOS devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III adaptor in the Shogun CONNECT box. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Shogun CONNECT without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes.
They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Shogun CONNECT supports removable SSD drives, which provide the space and sustained performance to meet these needs. The ability to record up to 8K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. SDI RAW provides the ultimate experience in terms of flexibility and quality, which makes Shogun CONNECT the ideal choice for big budget filmmakers around the world. The robustness and utility of SDI is critical for the productions that rely on it.
Shogun CONNECT also includes 12G-SDI input, the standard on high-end cinema cameras, including the Sony FX series, Panasonic EVA1, and Canon EOS C series.
Shogun CONNECT is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Shogun CONNECT can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally.
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